Commissioned
for “The place that
remains”, Pavilion of
Lebanon, Venice
Biennale of
Architecture, 2018,
curated by Hala Younes
From Autumn 2017 to
Spring 2018, I have
travelled in search for
the line that draws the
limits of the Nahr
Beirut – Beirut River –
watershed. The ridgeline
traverses a multiplicity
of territories and
environments that evolve
from remote wilderness
to densely urban,
considering that in
Mount Lebanon, habitat
has traditionally spread
on ridges rather than in
valleys.
Within this variety
of landscapes and
narratives, my
photographic
exploration generated
a collection fragments
and traces of past and
present human
activities. The
approach followed
Michel Foucault’s
thought that
“archaeology is much
more willing than the
history of ideas to
speak of
discontinuities,
ruptures, gaps,
entirely new forms of
positivity, and of
sudden
redistributions.”[1]
Relating with
dereliction, void, and
uselessness, many of
these traces are
symptomatic of the
territory’s history.
At various points, the
ridgeline matches or
crisscrosses the
demarcation lines of
fighting from the 19th
and 20th century wars.
As Nabil Beyhum
reminds, “the first
demarcation line that
Lebanon has known
separated the Druze
caïmacamat [district]
from the Maronite
caïmacamat. This line,
that follows the path
of the Damascus road
[on the Southern side
of the valley], was
supposed to separate
the two rival
communities in the
control of the rural
space.”[2] Though,
conflicts are not the
only factors affecting
the land. Economic and
demographic growth and
decline are not less
present.
The collected
traces might be almost
invisible, like a field
of mines in the
courtyard of an
abandoned hotel,
irrigation water pipes
on mountain slopes or a
gigantic quarry off the
road. They might also be
incongruous, such as a
basketball backboard
among the trees or a
derelict colorful
military post. Like in
Stephane Mallarmé’s
affirmation that
“Nothing will have taken
place but the place,
except a constellation”,
all are insignificant
and noteworthy at the
same time, proposing
infinity of
interpretations and
possibilities.
____________________________________________________________________
[1] Michel Foucault, The
Archaeology of
Knowledge and the
Discourse on Language,
trans. A.M. Sheridan
Smith (New York:
Pantheon Books, 1972),
169.
[2]Nabil Beyhum, “Les
démarcations au Liban
d’hier à aujourd’hui,”
in Le Liban
Aujourd’hui (Paris:
CNRS Editions, 1994),
276–77.
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exhibition
- Venice,
The Place that
Remains, Pavilion
of Lebanon La
Biennale di
Venezia, 16.
Mostra
Internazionale di
Architettura
>> The Lebanese Pavilion in the website of the Venice
Biennale
publication
- The Place that Remains. Recounting the Unbuilt Territory
online
documentation
- Venice
Documentation
Project
video interview
-
Gregory Buchakjian at the
Lebanese
Pavilion,
Venice
Architecture
Biennale
selected
reviews &
media
- Monocle, 07'06'2018
- Designboom, 21'05'2018
- L'Orient-Le Jour,
31'05'2018
- Floornature,
12'09'2018
-
Archdaily,
12'05'2018
- InExhibit,
26'07'2018
- L'Architecture
d'Aujourd'hui,
11'05'2018
related
project
-
A Journey of Loss
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