6 May 2013, 1AM, I
stumbled into a dark
alley in Tarlabaşi. A
first abandoned building
was followed by a
second, then a third;
the entire zone was
deserted. After ten
minutes, a police
vehicle came to enquire
about me. I explained I
was lost and returned to
my hotel.
6 May 2013, 8AM, I
resumed the trail. The
day light revealed
architectural details
pediments, bow windows,
consoles -, textures of
stone, tiles, wood,
shattered curtains,
broken glass, particles
of dust, vegetation,
that were invisible in
the night. All the
edifices were
deteriorated, except
one, intact and yet
inhabited, resisting
alone among the ruins.
It was an urban
renovation and
gentrification project.
They would repaint the
nice façades and level
everything else.
Residents were gone.
Children shouting in the
streets, elderly persons
playing Turkish draughts
and drinking tea and the
exploits of the little
thugs, all the
neighbourhood life had
vanished. A blog that
attempted to archive the
memories of the
inhabitants has on its
turn, gone from the web.
An iron palisade belting
the structures was
eventually interrupted
by breakthroughs
allowing stolen views
inside. Some alleys were
completely closed and
isolated from the rest
of the world. Workers
were demolishing with
pickaxe, from the
inside, throwing the
rubble on the street.
A few hours later I met
Arie for the first time,
then Hale. Six years
before, I viewed her
video Beirut
(2005-2007): The
Saint-Georges Hotel
filmed in a fixed shot,
without tripod, tight
framing, curtains flying
in the air, terrifying
soundtrack and
alternation of day and
night. It was haunting
and anticipated my walks
in Tarlabaşi in an
unexpected scramble
between Beirut and
Istanbul.
Hale, Arie and all the
persons I met during
this trip were not well.
Two weeks later, the
Gezi protests erupted.
It was the beginning of
the end of a state of
grace, or the illusion
of a state of grace. The
sky was getting darker
over the Bosphorus, and
over the entire Eastern
Mediterranean:
Alexandria, Cairo,
Beirut, Damascus, Izmir.
For Arie Amaya
Akkermans, Hale Tenger
and Hera
Büyüktaşçıyan.
|
related
articles
- The
Markaz Review,
10'06'2023
-
SFAQ San Francisco Arts Quarterly, 08'2014
related
projects
- Abandoned Dwellings. Tableaux
- Apocalypse
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